Specters can often manifest themselves through sound, as demonstrated by Magdalena Bubík’s example of the whistling sound during the performance art “For Slovakia” at the “Cinema on the Border” festival (Kino Na Granicy / Kino Na Hranici). This spectral sound can evoke echoes of the past and remind residents of Cieszyn of the city’s former unity and painful times of division. The specter may take advantage of various circumstances to manifest itself, and it may require a specialized ear to hear it. This highlights the complexity of how specters can haunt through different sensory experiences, not just visual ones. Sound can serve as a powerful tool for evoking memories and emotions, making it an important aspect to consider when exploring the presence of specters in a given context.

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