Our team meets regularly every two weeks to discuss our fieldwork, scholarly texts, or literature. Sometimes, we watch a film together to analyze how the representation of expulsion and resettlement is depicted in Czech, Slovak, or Polish cinema and what conclusions we can derive from it for our work as cultural studies scholars.
This time, we met to discuss Adelheid, a 1969 film made by one of the Czech cinema classics, František Vláčil, based on the 1967 novel by Vladimír Körner. During our discussion, we focused primarily on how materiality was presented and to what extent it followed the stereotypical view of the Borderlands as a land in decay. We also tackled issues such as the differences between the book and the adaptation, Czechs as heroes, and how the presence of Germans was portrayed.
Once again, film proved to be an inspiring basis for discussion, which may be useful for anthropological research and broaden our horizons.
